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The Harvard Biographical Dictionary of Music
Don Michael Randel
Harvard University Press, 1996

An incomparable guide to the thousands of characters, from humble artisan to lofty genius, who people the unfolding history of music, this volume brings together all the pertinent biographical information about composers, performers, music theorists, and instrument makers from the days of praise chants to the bop and pop of today. A long-awaited companion to The Harvard Dictionary of Music, and compiled with the same meticulous scholarship and delight in detail, this biographical dictionary emphasizes classical and art music, but also gives ample attention to jazz and blues, rock and pop, and hymns and show tunes across the ages—with unusual care devoted to coverage of the twentieth century.

That the Belgian composer Jean Absil was professor of fugue at the Brussels Conservatory is a little-known fact. And few are aware that Roy Acuff began his country-and-western career in medicine shows. The writings of the seventeenth-century organist Jakob Adlung may be obscure, while Theodor Adorno’s are widely read and studied. But they can all be found in the As, along with 218 more entries, from Herb Alpert and the Andrews Sisters to Carl Friedrich Abel and Emanuel Ax. And this is only the beginning.

Here then is the information you need about 5,500 figures in the world of music—the major, the minor, the famous, the nearly forgotten, from Bach and Beethoven to Irving Berlin, Benny Goodman, and Bruce Springsteen—capsule summaries of the lives and careers behind the music enjoyed in every era. The volume is enlivened with illustrations, some revelations in themselves. A compendium that no music lover should be without, this rich volume, along with The Harvard Dictionary of Music, constitutes the standard reference work for the musically inclined, the curious, the informed, and the expert.

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The Harvard Concise Dictionary of Music and Musicians
Don Michael Randel
Harvard University Press, 1999

This new compact guide to the history and performance of music is both authoritative and a pleasure to use. With entries drawn and condensed from the widely acclaimed The New Harvard Dictionary of Music and its companion The Harvard Biographical Dictionary of Music, it is a dependable reference for home and classroom and for professional and amateur musicians.

This concise dictionary offers definitions of musical terms; succinct characterizations of the various forms of musical composition; entries that identify individual operas, oratorios, symphonic poems, and other works; illustrated descriptions of instruments; and capsule summaries of the lives and careers of composers, performers, and theorists. Like its distinguished parent volumes, The Harvard Concise Dictionary of Music and Musicians provides information on all periods in music history, with particularly comprehensive coverage of the twentieth century.

Clearly written and based on vast expertise, The Harvard Concise Dictionary of Music and Musicians is an invaluable handbook for everyone who cares about music.

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The Harvard Dictionary of Music
Fourth Edition
Don Michael Randel
Harvard University Press, 2003

This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music.

The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture.

Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.

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The New Harvard Dictionary of Music
Third Edition
Don Michael Randel
Harvard University Press, 1986

THIS EDITION HAS BEEN REPLACED BY A NEWER 2003 EDITION.

This classic reference work is simply the best one-volume music dictionary available today. Its nearly 6,000 entries, written by more than 70 top musicologists, are consistently lucid and based on recent scholarship. The New Harvard Dictionary of Music contains among its riches superb articles on music of the 20th century, including jazz, rock, and mixed media as well as twelve-tone, serial, and aleatory music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; entries on all the styles and forms in Western art music; and descriptions of instruments enriched by historical background. Short entries for quick reference--definitions and identifications--alternate with encyclopedia-length articles written by experts in each field. More than 220 drawings and 250 musical examples enhance the text.

Combining authoritative scholarship with concise, lively prose, The New Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who listens to music.

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